The Arabic word barzakh refers to a border space between two worlds in which deceased souls must wait in a state of sleep for a final judgment before they can travel further. It is a recognisable situation for people who are awaiting trial in pre-trial detention, as becomes apparent from conversations between them and theatre maker Thomas Bellinck. During workshops in some Belgian prisons, they write a new performance together and determine what is presented on stage. The opera repertoire serves as a starting point: in operas we often see criminal acts and incarceration in a romanticised way, but does this correspond to reality? Composer Osama Abdulrasol translates the material from the workshops into music for singers and chamber orchestra. Barzakh questions the world views that emerge from operas and takes a critical look at the prison system.
A co-production of Opera Ballet Vlaanderen in collaboration with De Rode Antraciet and École Nationale Supérieure des Arts de La Cambre
Conductor | Zoe Zeniodi
Bass | Reuben Mbonambi
Soprano | Katharine Dain
Tenor | Nattha Thammathi
Mezzo-soprano | Lotte Verstaen
Symfonisch Orkest Opera Ballet Vlaanderen
Tanbur | Aykut Dursen
Duduk, Kaval | Deniz Mahir Kartal
Eastern percussion, throat singing | François Taillefer
Actors:Marjan De Schutter, Armin Mola, Edith Saldanha & Jeroen Van der Ven
SCENOGRAPHY AND LIGHTING DESIGN | Zaza Dupont & Bart Van Merode
SCENOGRAPHY IN COLLABORATION WITh Studenten van La Cambre
COSTUME DESIGn | Rida Habib Allah
VIDEO DESIGN | Léna Iloo
“Zorg en herstel moeten centraal staan, niet vergelding en uitsluiting”: Thomas Bellinck over Barzakh, een opera gemaakt in samenwerking met mensen in detentie
In Gent krijgen gedetineerden de sleutels van de opera. Alles wat op het podium komt in Barzakh, is mee door mensen in detentie geschreven en bepaald. ‘Hier word ik geen beter mens.’
Opera 'Barzakh' werpt andere blik op ons strafsysteem: 'Een koor dat vrolijk zingt in de gevangenis? Compleet belachelijk'